![]() ![]() Through paint, printmaking, and drawing, Palmer channeled the filigree light and energy of these liminal moments in time on to canvas and paper.Īlmost one hundred years later, in the Great Basin Desert of northwestern Utah, Nancy Holt’s (1938–2014) Sun Tunnels (1973–76) continued that meticulous attentiveness to the passing of time, to the encroaching night. ![]() Allegorical in many ways, his work was often regarded as a lament for things still present, but so clearly on the edge of disappearance that they might almost as well be gone. The Victorian artist Samuel Palmer (1805–1881) believed that certain points in the day-usually twilight-were the times when visionary and spiritual aspects of light in a landscape could be felt most intensely.
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